Bridge - Spring song for cello and piano


Bridge - Spring song for cello and piano. You can download the sheet music Bridge - Spring song for cello and piano on this page. This beautiful expressive creative - grand masterpiece composition for cello brilliant music composer. This composition impress everybody by magnificent shiny rhythm of cello and piano and other interesting characteristics.
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PDF format sheet music


Cello part: 1 pages. 86 K


Piano part: 3 pages. 245 K


Instrument part - First page Piano part - First page


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The earliest extant works of Frank Bridge are a series of substantial chamber works produced during his studies with C.V. Stanford at the Royal College of Music, along with a number of shorter works in various genres. Bridge completed his first major orchestral score, a Symphonic Poem, shortly after completing his studies. Brahms, Beethoven, Tchaikovsky, Franck and Fauré are notable influences on this period.
The works completed in the following years suggest a search for a more mature and expressive idiom, culminating in the tumultuous First String Quartet and a series of Phantasies for chamber ensembles. His orchestral idiom developed more gradually, reaching a new maturity in The Sea of 1911, which was to become his most popular and successful orchestral work, receiving frequent performances at the Henry Wood Promenade Concerts during his lifetime.
In the period leading up to the First World War Bridge demonstrates an interest in more noticeably modernist tendencies, most notably in Dance Poem of 1913, which suggests the influence of Stravinsky and Debussy. During the war period, his exploration generally took more moderate forms – most often a pastoralism influenced by impressionism – although work such as the Two Poems for orchestra and several piano pieces display significant developments in his harmonic language, specifically towards a coloristic, non-functional use of harmony, and a preference for harmony derived from symmetrical scales such as whole tone and octatonic. During the same period Bridge completed two of his most successful chamber works, the Second String Quartet and Cello Sonata.
During the 1920s Bridge pursued his ambitions to write more serious, substantial works. The Piano Sonata was the first major work to showcase his mature, post-tonal language on a substantial scale. This language is developed and used more effectively in the Third String Quartet, which sparked a series of major orchestral and chamber works, several of which rank among Bridge's greatest.
A final group of works followed in the late 1930s and early 40s, including the Fourth String Quartet, the Phantasm for piano and orchestra, Oration for cello and orchestra, the Rebus Overture, and the first movement of a projected Symphony for strings.
Although not an organist himself, and not personally associated with music of the English Church, his short pieces for organ have been among the most-performed of all his output.

 
 
     
 
 
 
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