Haydn – Cello Concerto C-dur N1 (Edition plus)
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Haydn – Cello Concerto C-dur N1 (Edition plus). You can download the PDF sheet music Haydn – Concert С-dur for cello and piano on this page. The Cello Concerto No. 1 in C Major, Hob. VIIb/1, by Joseph Haydn was composed around 1761-65 for longtime friend Joseph Franz Weigl, then the principal cellist of Prince Nicolaus's Esterházy Orchestra.
The work was presumed lost until 1961, when musicologist Oldřich Pulkert discovered a copy of the score at the Prague National Museum. Though some doubts have been raised about the authenticity of the work, most experts believe that Haydn did compose this concerto.
To download PDF, click the "Download PDF" button below the appropriate sheet music image.
To view the first page of Haydn – Concert С-dur for cello and piano click the music sheet image.
We have also the Rostropovich's edition of this concert.
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| PDF format sheet music |
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Cello part: 11 pages. 501 K
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Piano part: 33 pages. 970 K
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| Download PDF (14.99
€) |
Download PDF (14.99
€) |
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This early work, contemporaneous with symphonies 6, 7 and 8 and predating his D major cello concerto by around twenty years, already shows Haydn as a master of instrumental writing. The solo cello part is thoroughly idiomatic. The concerto reflects the ritornello form of the baroque concerto as well as the emerging structure of the sonata-allegro form. As in the baroque concerto grosso, the accompanying ensemble is small: strings, two oboes, and two horns. It is possible that Weigl was the only cellist in the Esterházy Orchestra when Haydn composed the concerto, since there is only one cello line in the score, marked alternately “solo” and “tutti.” There is also, however, a basso continuo line, that might have been played by another cellist, or by Haydn himself on the harpsichord, or by a string bass player.
All three movements of this work are written in sonata form, unlike the second concerto, where rondo form is used in the second and third movements. This concerto is more related to Haydn's violin concerti than its follower, holding very close resemblance to the Violin Concerto no. 3 in A major, such as the first movement's etched rhythms, and flowing second themes, a peaceful slow movement, and a brisk finale. Both concerti were composed in the same period of time. |
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