Chausson - Piece for cello and piano. You can download the sheet music Chausson - Piece for cello and piano on this page. This interesting cello composition - is a good masterpiece opus for cello by the well-known composer. This composition amaze the listener by engrossing shiny figurations of soloist and piano and other musical features. This cello opus impress listeners by the wide and clear musical tones soul and other artistic features. To view the first page of Chausson - Piece for cello and piano click the music sheet image.
Video - Chausson - Piece for cello and piano op.39
Amédée-Ernest Chausson (1855 – 1899) was a French romantic composer who died just as his career was beginning to flourish. The creative work of Chausson is commonly divided into three periods. In the first, his output was stylistically dominated by Massenet. The second period, dating from 1886, is marked by a more dramatic character, deriving partly from Chausson's contacts with the artistic milieux in which he moved. From his father's death in 1894 dates the beginning of his third period, during which he was especially influenced by his reading of the symbolist poets and Russian literature, particularly Turgenev, Dostoyevsky, and Tolstoy. Chausson's work is deeply individual, but it does reflect some technical influences of both Wagner and his other musical hero, Franck. Stylistic traces not only of Massenet but also of Brahms can be detected sometimes. In general, Chausson's compositional idiom bridges the gap between the ripe Romanticism of Massenet and Franck and the more introverted Impressionism of Debussy. Several delicate and admirable songs came from Chausson's pen. He completed one opera, Le roi Arthus (King Arthur). His orchestral output was small, but significant. It includes the symphonic poem Viviane; the Symphony in B-flat, his sole symphony; Poème for violin and orchestra, an important piece in the violin repertoire; and the dramatic, and haunting, song-cycle Poème de l'amour et de la mer. Chausson is believed to be the first composer to use the celesta. He employed that instrument in December 1888 in his incidental music, written for a small orchestra, for La tempête, a French translation by Maurice Bouchor of Shakespeare's The Tempest. Not at all prolific, Chausson left behind only 39 opus-numbered pieces. Musical creation for him always proved to be a long, painful struggle. However, the quality and originality of his compositions are consistently high, and several of his works continue to make occasional appearances on programs of leading singers, chamber music ensembles and orchestras.
