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Bruch - Ave Maria for cello and piano


Bruch - Ave Maria for cello and piano. You can download the sheet music Bruch - Ave Maria for cello and piano on this page. This unique expressive composition - is a traditional sample of work for cello by the great talented composer. This composition delight the listeners beautiful shiny melody of soloist and piano and different character string features.
To view the first page of Bruch - Ave Maria for cello and piano click the music sheet image.
PDF format sheet music


Cello part: 3 pages. 265 K


Piano part: 8 pages. 724 K


Instrument part - First page Piano part - First page


Download PDF (14.99 €) Download PDF (14.99 €)

Bruch - Ave Maria for cello and piano


Max Christian Friedrich Bruch (1838 – 1920), also known as Max Karl August Bruch, was a German Romantic composer and conductor who wrote over 200 works, including three violin concertos, the first of which has become a staple of the violin repertory. Bruch was born in Cologne, the son of Wilhelmine (née Almenräder), a singer, and August Carl Friedrich Bruch, a lawyer who became vice president of the Cologne police.
He received his early musical training under the composer and pianist Ferdinand Hiller, to whom Robert Schumann dedicated his piano concerto in A minor. Bohemian composer and piano virtuoso Ignaz Moscheles recognized his aptitude. At the age of nine he wrote his first composition, a song for his mother's birthday. From then on music was his passion, his studies having been enthusiastically supported by his parents. Many small early creative works included motets, psalm settings, piano pieces, violin sonatas, a string quartet and even orchestral works like the prelude to a planned opera Joan of Arc. Few of these early works have survived, however.
The first music theory lesson he had was in 1849 in Bonn, and it was given to him by Professor Heinrich Carl Breidenstein, a friend of his father. At this time he stayed at an estate in Bergisch Gladbach, where he wrote much of his music. The farm belonged to the lawyer and notary Neissen, who lived in it with his unmarried sister. Later the estate was bought by the Zanders family who owned a large paper mill. The young Bruch was taught by his father in French and English conversation. In later years, Maria Zanders became a friend and patron.


 
 
     
 
 
 
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