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Herbert - Concert N2 for cello and piano op.30 (1894)

Herbert - Concert N2 for cello and piano op.30 (1894). You can download the sheet music Herbert - Concert N2 for cello and piano op.30 (1894) on this page. This interesting musical composition - is a traditional sample opus for string instrument by the well-known composer. This composition delight the performer by the well-listened dialog between rhythm of soloist and piano and other musical characteristics.
To view the first page of Herbert - Concert N2 for cello and piano op.30 (1894) click the music sheet image.
PDF format sheet music

Cello part: 9 pages. 800 K

Piano part: 26 pages. 2035 K

Instrument part - First page Piano part - First page

Download PDF (14.99 €) Download PDF (14.99 €)

Victor Herbert (1859 – 1924) was an Irish-born, German-raised American composer, cellist and conductor. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.

More recently, two of Herbert's earlier compositions for cello and orchestra have regained a place in the concert repertory. The Suite for Cello and Orchestra, Op. 3 (1884), his earliest known composition despite its designation as Op. 3, has been performed by several ensembles in recent years. The work foreshadows the light music of Herbert's later compositions. Another work that has been revived is his Cello Concerto No. 1, which was first performed by the composer in Stuttgart shortly before he came to the U.S. For many years, the work was unpublished and apparently unperformed, surviving only in manuscript. It was recorded for the first time in 1986 and has since been published. The composition is admired for achieving an effective balance between its virtuosic elements and its lyricism.

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