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Glinka - Nocturne for cello and piano - La separation

Glinka - Nocturne for cello and piano - La separation. You can download the PDF sheet music Glinka - Nocturne for cello and piano on this page. This unique expressive composition is the clear sample of work for string instrument by the well-known virtuoso of composition. This composition impress listener by the engrossing rhythmic soloist and piano changes and traditional musical features.
To view the first page of Glinka - Nocturne for cello and piano - La separation click the music sheet image.
PDF format sheet music

Cello part: 3 pages. 221 K

Piano part: 6 pages. 478 K

Instrument part - First page Piano part - First page

Download PDF (14.99 €) Download PDF (14.99 €)

Mikhail Glinka (1804 – 1857) was the first Russian composer to gain wide recognition within his own country, and is often regarded as the fountainhead of Russian classical music. Glinka's compositions were an important influence on future Russian composers, notably the members of The Five, who took Glinka's lead and produced a distinctive Russian style of music.
Glinka was the beginning of a new direction in the development of music in Russia. Musical culture arrived in Russia from Europe, and for the first time specifically Russian music began to appear, based on the European music culture, in the operas of the composer Mikhail Glinka. Different historical events were often used in the music, but for the first time they were presented in a realistic manner.

The first to note this new musical direction was Alexander Serov. He was then supported by his friend Vladimir Stasov, who became the theorist of this musical direction.

The modern Russian music critic Viktor Korshikov thus summed up: "There is not the development of Russian musical culture without...three operas – Ivan Soussanine, Ruslan and Ludmila and the Stone Guest have created Mussorgsky, Rimsky-Korsakov and Borodin. Soussanine is an opera where the main character is the people, Ruslan is the mythical, deeply Russian intrigue, and in Guest, the drama dominates over the softness of the beauty of sound."

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