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Telemann - Fantasy N4 for cello solo

Telemann - Fantasy N4 for cello solo. You can download the sheet music Telemann - Fantasy N4 for cello solo on this page. This famous cello composition - is a beautiful sample of work for classic cello by the well-known virtuoso of string composition. This composition surprise the listeners by the interesting melody and harmonies of soloist and other cello characteristics. This string music impress cello player by the clear and transparent cello intonation, sound and other composers characteristics. This solo sonata has many interpretations and reductions for different instruments.
To view the first page of Telemann - Fantasy N4 for cello solo click the music sheet image.
PDF format sheet music

Cello part: 2 pages. 32 K

Telemann - Fantasy N4 for cello solo - Instrument part - First page

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Georg Philipp Telemann (1681 – 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.

Telemann was and still is one of the most prolific composers in history (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.

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